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Beachhead

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Beachhead, Watercolor Painting of the Oregon Coast by Jenny Armitage

Beachhead (12 x 19 watercolor) $400

A little bit of the Oregon coast.


Or purchase a fine art print.

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Scroll Bouquet

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Violins Painting by Jenny Armitage

Scroll Bouquet (14 x 18 acrylic on board) $400


Prints available here.

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Saint Pauls Cathedral

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A Spire of Saint Pauls, Painting the Cathedral by Jenny Armitage

A Spire of Saint Paul's (11 x 15 watercolor) $300

This is one of the twin clock tower spires of Saint Paul’s Cathedral in London.  I love Saint Paul’s Cathedral though it is nothing like the Gothic Cathedrals I fell in love with on my first trip the England.  Unlike England’s early cathedrals, Saint Paul’s was designed by a single man, Sir Christopher Wren and built over just thirty years.  The result is a clean coherent building rather unlike the the quirky cathedrals I first admired.

Wren designed and saw built numerous churches in the vicinity to compliment and be complimented by the cathedral.   But in the London Blitz practically the entire neighborhood was bombed and burned to the ground.  The cathedral is now surrounded by modern offices.  The Millennium Bridge now leads directly to it providing a very modern show case for Wren’s jewel.


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Valley of the Gods

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Moki Dugway View of the Valley of the Gods, a Watercolor Painting by Jenny Armitage

Looking Down From Moki Dugway (14 x 24 watercolor) SOLD

This is the view from Moki Dugway (sometimes spelled  Mokee or Moqui).   But however you spell it, it is a most spectacular pass overlooking The Valley of the Gods and Monument Valley.   Utah Highway 261 traverses north from Gooseneck Sate Park north through the Valley of the Gods, at which point it becomes a set of dirt road switchbacks yielding the some of the most amazing views of the whole southwest canyon lands area.  Those switchbacks are Moki Dugway.

We visited The Grand Canyon, Chaco Canyon, Bryce, Natural Bridges National, Capital Reef, and Kodachrome State Park, yet my husband found this little stretch of road the most scenic view of the trip.  I can see why.

This painting has sold, but you can still purchase a fine art print.

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Licorice Pieces

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"Licorice Pieces" Painting of a Clarinet in Watercolor by Jenny Armitage

Licorice Pieces (11 x 16 watercolor) $450

Another clarinet portrait.  Orange suits it don’t you think?

 

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Clarinet Candy

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Clarinet Candy, An Instrument Painting by Jenny Armitage

Candy Clarinet (14 x 20 watercolor) $450

A portrait of a friend’s clarinet.   She can make it sound like candy too.


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Clock Cafe

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Clock Cafe, Watercolor of a  Paris Cafe by Jenny Armitage

Clock Cafe (12 x 16 watercolor) $400

The d’Orsay Musee in Paris, was once a railway station.  The original exterior clocks now serve as windows on the upper floor.   I painted one of them a few months ago.  That clock is opposite the gift shop and attracts as many tourists as the paintings.   The other clock serves as the window in the museum cafe giving the cafe a charm all it’s own.  Here it is.


I poured this painting is a similar manner to the first clock painting.

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Brass Candy Trio

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Brass Candy Trio, Painting of Brass by Jenny Armitage

Brass Candy Trio (13 x 22 watercolor) $600

More big brass.  This time I really went for the distorted shadows created by the blanket these instruments rested on.


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Mexican El Fresco

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Mexican El Fresco a Painting of Mayas Taqueria, by Jenny Armitage

Mexican El Fresco (watercolor 10 x 13) $150.00

Another cityscape from downtown Portland. The day and the palette are the same. The light and consequently the painting couldn’t be more different.


Or purchase a print from Fine Art America.

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Relections in the Late Afternoon

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Gig Harbor in Watercolors by Jenny Armitage

Reflections in the Late Afternoon (14 x 19 watercolor) $250

This is Gig Harbor, Washington in the late afternoon, though it could be almost any harbor for pleasure craft. I love to do reflections and docks are a great place to find them. In the late afternoon, the water gets almost black and the reflections of white boats become even more dramatic. But it was the contrasting wooden hull of the right most vessel that really caught my eye.

I often delete the names of boats, but I liked the name Simplexity so I kept it in. I”m not entirely sure what “simplexity” means, but my painting is of a complex scene much simplified by the process of elimination, so it seems to fit somehow. The brightness of the light eliminated some detail for me and the deep shadows eliminated some more. I just went with the flow and removed some background boats, a lot of rope, and much hardware.

The real trick was getting the orangey wood of the boat to carry enough to make it the center of interest despite the extreme contrast of the white boats against the blue-black water. To get the orange I wanted I mixed burnt sienna with new gamgee. Then I glazed portions of it with quinacridone Rose Madder and more new gamgee. I deliberately downplayed the flag in favor of the hull. Down in the reflections the flag does become a secondary center of interest.

My palette also included cerulean blue, phthalo blue, and cobalt blue.

I worked without mask this time painting each boat, in tandem with it’s darker less vivid reflection. After I finished the boats I added the water in phthalo blue dulled with burnt sienna.

This painting is currently for sale on line at my Etsy shop. Or purchase a print here.

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