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Morning in Le Marias

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Morning in Le Marais, Original Paining of Paris by Jenny Armitage

Morning in Le Marais (17 x 23 Watercolor) SOLD

My husband, daughter, and I spent a pleasant morning walking through the Le Marais district in Paris, on our way to the Pompiduo Modern Art Museum.  The Le Marais was once inhabited by the French aristocracy and later become center of the Jewish community in Paris.  Post WWII, it is once again inhabited by traditional Jews.  I found the Jewish men’s back hats and suits striking against the back drop of more casually dressed tourists.

This painting has sold, but you may still purchase a art print.

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I Heart Amsterdam

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I Heart Amsterdam, Watercolor By Jenny Armitage

I Heart Amsterdam (11 x 19" watercolor) $400

Amsterdam street lights.


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Cafe Snapshot

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European Cafe, Watercolor Painting by Jenny Armitage

Snapshot Cafe (watercolor 14 x 23) $600

 

Despite the lack of canals and only a single bicycle, this is Amsterdam on a summer evening. But it could be anyone of a number of European street scenes.

The title is a bit of a pun.  I painted the picture from a series of snapshots, and girls in the foreground are sharing a snapshot.  I hope the atmospheric nature of the painting has little to do with snapshots.


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Dreaming of Prague

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St. Charles Bridge at Night, Watercolor Painting by Jenny Armitage

Dreaming of Prague (watercolor 16 x 21) $600

Impressionists view of the Saint Charles Bridge at night.


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Cowboy in Chinatown

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Cowboy in Chinatown, Painting of Victoria, B.C., by Jenny Armitage

Cowboy in Chinatown (watercolor and gouache 16 x 22) $600

There is still a Chinatown in Victoria, B.C., but it’s only a few blocks long now.  The Fantan Cafe dominates the street.   It’s still a fun and colorful place to visit.  The entrance arch remains, and they still hang Chinese lanterns.


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Three Towers

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Three Laccan Towers, Watercolor Painting by Jenny Armitage

"Three Luccan Towers" (17 x 19 watercolor) $500

Another Italian painting, this time of Lucca.  The view is from a window in yet a fourth tower.  I will have to paint the tower we climbed.  The oak trees growing from it’s roof give it a surreal feel.


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Evening at the Louvre

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Evening at the Louvre, Paris Painting by Jenny Armitage

Evening at the Louvre (watercolor 14 x 22) $500

The glass pyramid as seen through one of the Louvre’s arches.


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City Portal: More of Chicago

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City Portal, Painting of Chicago, By Jenny Armitage

City Portal (12 x 22 watercolor) $500

The Art Institute of Chicago again, this time from the inside.  While my daughter gift shopped, I took a whole series of photographs of the two doors to Michigan Ave.  The great doors with their iconic lamps and the people silhouetted in front fascinated me.


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The Art Institute of Chicago

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Witing for the Museum to Open, a Chicago Painting by Jenny Armitage

Just Before the Museum Opens (watercolor 17 x 22) $600

I love city light.   The shafts of light created by openings in the tall buildings, the reflectivity of building and pavement, and the flat surfaces for shadows all lead to one thing—drama.

This particular drama is the long shadows and the warm glow of  a Chicago winter morning.  The crowd is up early and waiting for The Art Institute of Chicago to open up.   The crowd and bus hide one lion, but the other can be seen peeking out from behind the traffic light.


Or purchase a fine art print here.

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Italian Heat

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Italian Heat, Original Painting of a Couple Bicycling in Florence by Jenny Armitage

Italian Heat (watercolor 15 x 22) SOLD

We visited Florence in the heat of summer.  The shady narrow streets opening up into white hot plazas continues to fascinate me.   Couples biking over the rough stone streets had their own heat.

This painting sold but you may still purchase a fine art print.

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Riomaggiore

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Riomaggiore Hillside, Painting by Jenny Armitage

Riomaggiore Hillside (16 x 22 watercolor) SOLD

We visited the Cinque Terre or Five Lands  in 2012.  Clinging to the the cliffs about the Italian riviera, these charming wine and fishing villages are an Italian national park and a tourist magnet during the summer.  I painted Monterrosso, the largest of these villages last year.  This is Riomaggiore, the smallest of the Cinque Terre, and the first village many tourists see.  It was the first village we visited.  And yes we were charmed by it’s pocket sized harbor and steep narrow streets.   But these first paintings are not of the houses on the harbor cliffs, but the vineyard hills.

A Slice of Riomaggiore, watercolor by Jenny Armitage

A Slice of Riomaggiore (10 x 12 watercolor) SOLD

These paintings have sold, but you may still purchase fine art prints here.

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Bicycle Florence

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Waiiting Bike, Original Painting of Florence, Italy, by Jenny Armitage

Waiting Bike (13 x 19 watercolor) SOLD

This painting has sold, but you may still purchase a fine art print.

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Rue Galande

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Rue Galande, Watercolor of Paris by Jenny Armitage

Rue Galande (watercolor 19 x 13) $500

Another painting taken from our trip to Europe last summer.  This charming little street is close to Nortre Dame, but at least a little off the beaten path.    Like many of the streets in the area, it curves charmingly.

I poured this painting in much the same manner as  July in Florence.  The process is much like batik and leads to clear color passages that make buildings glow.

July in Florence, Painting of Old Florence by Jenny Armitage

July in Florence (13 x 23 watercolor) $600


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And Suddenly, The Duomo

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And Suddenly The Duomo, Painting By Jenny Armitage

And Suddenly the Duomo (15 x23 watercolor) Reserved

Old town Florence streets are shaded lanes so narrow they almost feel like tunnels running at irregular angles to each other.  The view at the end of the tunnel is often as not another narrow lane cutting the street off at not quite a right angle.   But here there the streets open into plazas with startling sunny views of churches, cathedrals, bridges, train stations and castles.  Walking from our apartment, the Duomo complex burst upon us in much the same way–the light at the end of the tunnel.

Another poured watercolor painting, a process much like batik.

This painting is reserved for a show but you may purchase a fine art print.

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Making the Trash Cans Beautiful

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216, Painting of a Small Town Alley, by Jenny Armitage

216 (9.5 x 13.5 watercolor) $175

This is the same alley I painted for “Alley Shortcut,” but on the opposite side of the street facing the other way.  Once again I’m looking into the sun as it peeks out from the clouds.  This time it’s afternoon sun and it strikes the alley at an angle so the back lit effect is not quite so pronounced.

I must admit I like painting alleys.  There’s something sublime about making trash cans beautiful.

Painted in multiple transparent washes.  Most of the painting has at least five or six transparent layers of paint.  The palette is brown madder, quinacridone rose, cobalt blue, phthalo blue, cerulean blue, and raw sienna.


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The Lamp at 10th and Washington or The Carpet Seller

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Citcyscape of Downtown Portland, by Jenny Armitage

10th and Washington (watercolor 11 x 15) $200

Last month, my husband and I were out and about in downtown Portland, after having spent the early afternoon at Powell’s Bookstore. Stephen patiently followed me around the hot pavement as I photographed street after street. The sun was brilliant after a cloudy spring, and the light on the streets and buildings almost blinding.

Here’s my first attempt at the heat and glow of that afternoon. I began by giving the paper of light wash of quinacridone gold. After the wash dried I very carefully sketched out the scene. Then I washed the sky with cobalt blue and the pavement with a mixture of quinacridone deep red rose and gold. Next, I masked a very few small light details.

With the paper ready to begin painting in earnest I began with the shadows and the lamp. The shadows are phthalo blue and deep red rose. The lamp is the same plus some burnt sienna. I painted the man in the window next and then glazed over him and the window multiple times. Then I loosely dropped in the tree and the background foliage at the end of the street. After that I worked up and down the buildings washing in the light and building up the darks.

In the end I think the shaded part of the building on the right takes up too much attention, but I’m not sure. I’ll try something similar again soon.


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