After Midnight (17 x 23 watercolor) $700
After Midnight began with a lecture and demonstration I did for the The Watercolor Society of Oregon’s Fall 2016 Convention. For the demo, I painted the Munich Rathaus Tower six time in various stages of completeness. Below is the one painting of the six I completed:
Munich Rathaus (8 x 13 watercolor) $200
I liked the this little painting so much, I felt compelled to do it again in a larger format. But I didn’t want to just repeat the painting on a larger scale. The tower, like many in Germany, reminds me of fairy tale illustrations. So I ran with that notion tweaking the scene just a little to add a rather unreal illustrative moon and an impossible sky.
Or purchase a fine art print of either painting.
Clock Cafe (12 x 16 watercolor) $400
The d’Orsay Musee in Paris, was once a railway station. The original exterior clocks now serve as windows on the upper floor. I painted one of them a few months ago. That clock is opposite the gift shop and attracts as many tourists as the paintings. The other clock serves as the window in the museum cafe giving the cafe a charm all it’s own. Here it is.
I poured this painting is a similar manner to the first clock painting.
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Inside Paris Time, (12 x 16 watercolor on paper) SOLD
We are just back from a fabulous trip to London, Rome, Florence and Paris. Our first museum visit in Paris was the d’Orsay, a fantastic art museum that picks up chronologically where the Louvre leaves off. Van Gogh Monet, Manet, Renoir, and Cezanne are all well represented. But this painting is not about the art in the d’Orsay, but rather about the museum building itself. The d’Orsay began it’s life as a train station. The gigantic clocks which once informed train passengers of the time remain in the building both inside and out. This clock is one of two facing the Seine River and the Tuileries Gardens. Outside the clock faces appear opaque. Inside it becomes obvious that the clock faces are actually windows Museum patrons are as drawn to the view through the clocks as they are to the artwork in the galleries.
To capture the feeling of the light through the clock, I primarily poured this painting, using removable masking and cups of paint instead of brushes. Only the final details and the view through the clock were added with a brush. I used New Gamgee, Hansa Yellow Light, Cobalt Blue, Thalo Blue, Rose Madder Quinacridone, and Windsor Red.
This painting has sold but you can still purchase an art quality print.