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euphonium

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Tipping My Hat to M. C. Escher

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Pygmalion Joins the Band, Echeresque Painting by Jenny Armitge

Pygmalion Joins the Band, (16 x 22 watercolor)

When painting Flugel and Friends, I was struck by the way in which the unfinished the flugelhorn appeared ultra three dimensional.  It just wanted to hover above the paper.  It took some effort playing with the shadow to get it lay down and behave itself. But I was struck by how beautiful the floating horn was.

Flugle and Friends In Progress

The experience got me to thinking about the trick of making the flat paper look three dimensional and reminded me of M.C. Escher’s various perspective games playing with this concept.  So I decided to play around with the idea a little within a painting in a painting.

The process has been fun, but very meta.  I painted Pygmalion Joins the Band, with the very brush depicted in the painting with palette shown, using the paints in the tubes I painted.   If you paint on block pads, you may recognize the border of the pad cover peaking out from under the painting in a painting.   The most challenging  part of the painting turned out to be depicting paint on the plastic palette and making it look like paint on plastic rather than paint of paper.  I had the most fun painting the tubes and now plotting excuses to paint them again.

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Brass Candy Trio

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Brass Candy Trio, Painting of Brass by Jenny Armitage

Brass Candy Trio (13 x 22 watercolor) Available

More big brass.  This time I really went for the distorted shadows created by the blanket these instruments rested on.

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Laurel and Hardy

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Laurel and Hardy, painting of a Euphonium and Clarinet, by Jenny Armitage

Laurel and Hardy (18 x 19 watercolor on paper) Available

I have a confession to make– I accost musicians who like my work with pleas to let me photograph their instruments.   I’m not proud.  I prey upon the amateur and professional alike.  At art fairs where there is music, I bring a white blanket just so I will have a soft protective surface to lay instruments on and against.   Nothing beats sunshine for photographing brass and silver.

This painting comes from a series of photos I took at the Oregon State Fair’s Artisan Village.   It’s the result of just plain begging a fellow vender to bring in her trombone, euphonium, and trumpets in for me to photograph.  The clarinet I asked a girl friend’s daughter to lend me to use as a foil when photographing brass and sliver. I think they make a lovely pair.

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