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This is another painting resulting from my photo shoot at Weathers Music. I brought a number of things with me including table cloths, flowers, and fruit. In the end though I mostly limited my fruit use to grapes and pears. The pears are my favorite. I think the shapes of the pears have something to say the bells of the horns, don’t you? I hope so, because the pears are repeated over and over in the horn.
Mounted on a black wooden cradle frame and finished with clear polymer varnish, this painting may be hung as is or framed.
Or purchase a print through Fine Art America.com.
I painted this one specially for Salem Art Association’s Salon: Art2 exhibit. All of the artwork in the exhibit must be 16 x 16 inches inclusive of frame. I had to think carefully how to meet the size requirement. I didn’t want to fit a watercolor on paper into a 16 x 16 inch frame since the artwork would end up being 12 x 12 at most. I didn’t have any 16 x 16 inch aquabord either. So I stretched watercolor canvas over a 16 x 16 inch frame and gallery wrapped the edges.
It has been quite some time since I tried painting on watercolor canvas. Paint lifts from watercolor canvas even more easily than it does from clayboard. The surface feels like a cross between clayboard an yupo (a plastic paper) to work on except that the unlike board or paper the canvas gives a little to the brush. I like the canvas’ linen texture, but I’m not sure I like the painting experience as much as the board, though that may be just a matter of getting use to the new surface.
This painting has sold, but prints are available through my gallery at Fine Art America.
If you have been watching this blog of late, you know I have become fascinated with painting bright shiny band instruments. I had been renting loaner instruments one or two at a time from a shop in Corvallis. But renting instruments, especially expensive instruments for just a month at a time, makes instruments shops who rent to sell nervous. So I was afraid I had come to the end of my supply of instruments to paint. But a couple weeks ago I got a brainwave. Weathers Music, here in Salem, has a recital room that sits empty most days. So I thought maybe I could talk them into letting me rent the instruments and the room at once. That way the expensive instruments need never leave the shop.
I gathered up two of my recent instrument paintings and went to ask. I had dressed nicely and rehearsed a little speech about how I would use the instruments for art, and how careful I would be with them. I never got more than three sentences into my little sales pitch. Keith Weathers simply said, “yes.” And the very next Friday I had the use of the Bach Room, from ten to five and an almost unlimited supply of instruments to photograph.
I brought quilts, fabric, crystal, flowers, and fruit. I also brought my studio lights. By eleven o’clock I had everything I’d brought in and Keith had gathered me a whole little band to play with. I had three saxophones, a clarinet, a piccolo, a brass trumpet, a silver trumpet, a violin, a french horn, a trombone, and a tuba.
I spent a magic afternoon setting up and photographing one still life after another. I spread cloth, arranged flowers, climbed on chairs, moved lighting, and toted instruments back and forth. At the end of the day I was exhausted but happy. I also had over five hundred photos on my camera chip.
Since then I’ve been too busy painting to post blogs, a sorry state of affairs for which I apologize. So here is the first of many more instrument paintings.
This painting has sold, but you may still purchase a print from Fine Art America.com.