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music

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Horsing Around With Accordions

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Horsing Around With Accordian, Original Painting by Jenny Armitage

Horsing Around With Accordions (watercolor 17x20) SOLD

Buskers with wearing horse-heads and playing the accordion are standard Vienna fare. We heard these three coming to and going from The Leopold. They were loud, enthusiastic and good, playing both traditional folk and a few pop pieces. But mostly they are just visually fun.

—This painting has sold, but you can still purchase a fine art print.

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Scroll Bouquet

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Violins Painting by Jenny Armitage

Scroll Bouquet (14 x 18 acrylic on board) $400


Prints available here.

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With Feeling

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With Feeling, Painting of a Violinist by Jenny Armitage

With Feeling (watercolor 16 x 23) $600

I don’t normally use the photographs of others as the basis for my paintings, but I saw a picture of this lovely young woman so wrapped up in her music and it moved me. I just had to paint her. Fortunately for me, the photographer August Miller was willing to let me use his amazing photo in return for a donation to a The Rape Recovery Center. That I was happy to do, and here is the painting.


Or purchase a fine art print.

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Licorice Pieces

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"Licorice Pieces" Painting of a Clarinet in Watercolor by Jenny Armitage

Licorice Pieces (11 x 16 watercolor) $450

Another clarinet portrait.  Orange suits it don’t you think?

 

Or purchase a fine art print.

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Clarinet Candy

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Clarinet Candy, An Instrument Painting by Jenny Armitage

Candy Clarinet (14 x 20 watercolor) $450

A portrait of a friend’s clarinet.   She can make it sound like candy too.


Or purchase a fine art print.

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Jazz Improvisation One

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Jazz Improvisation One, digital painting by Jenny Armitage

Jazz Improvisation (digital collage) prints only


I’ve been been playing around with digital drawing and collage the last year or so.    I began by drawing silhouettes with the mouse.  I then use the silhouettes to sample various watercolor backgrounds I have painted and then photographed.   I’ve been using the results to make design mugs, tees, smartphone cases, ties and other things on Zazzle for sale in my Paintbox Silhouette shop.   Just lately though, I’ve been taking this a step further and creating digital paintings or collages.   This image includes five watercolor backgrounds and four hand moused silhouettes and over twenty digital layers.

I began with simpler but more graphic images like these:

 

Rainbow Violins, painting by Jenny Armitage

Rainbow String of Violins (digital collage) prints only

Cool Sax Band, digital collage by painter Jenny Armitage

Cool Sax Band (digital collage) prints only

These simpler images involve fewer layers by utilize the same hand drawn silhouettes and watercolor backgrounds.

All of my digital collages are available here as prints on paper, metal, or canvas.

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Brass Candy Trio

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Brass Candy Trio, Painting of Brass by Jenny Armitage

Brass Candy Trio (13 x 22 watercolor) $600

More big brass.  This time I really went for the distorted shadows created by the blanket these instruments rested on.


Or purchase a fine art print.

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Laurel and Hardy

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Laurel and Hardy, painting of a Euphonium and Clarinet, by Jenny Armitage

Laurel and Hardy (18 x 19 watercolor on paper) $600

I have a confession to make– I accost musicians who like my work with pleas to let me photograph their instruments.   I’m not proud.  I prey upon the amateur and professional alike.  At art fairs where there is music, I bring a white blanket just so I will have a soft protective surface to lay instruments on and against.   Nothing beats sunshine for photographing brass and silver.

This painting comes from a series of photos I took at the Oregon State Fair’s Artisan Village.   It’s the result of just plain begging a fellow vender to bring in her trombone, euphonium, and trumpets in for me to photograph.  The clarinet I asked a girl friend’s daughter to lend me to use as a foil when photographing brass and sliver. I think they make a lovely pair.


Or purchase a fine art print.

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Brass at Rest

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Brass at Rest, Painting of Brass by Jenny Armitage

Brass at Rest (8 x 8 watercolor on clayboard) SOLD

Trumpet and trombone share fabric space on a mirror.  This little painting  has sold.  But prints are available through my shop at Fine Art America.

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Ringing in the Brass

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Ringing in the Brass, Painting of a Trombone by Jenny Armitage

Ringing in the Brass (8 x8 watercolor on clayboard) SOLD

Trombone bell resting on the bells and facing a flute. My daughter says this one has a Christmasy feel to it and I think she is right. In any case, I like the red and gold.

This painting has sold, but prints available through my print shop and Fine Art America.

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Brass and Silver Keys

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Brass and Silver Keys, Painting of a Trumpet and Flute

Brass and Silver Keys (8 x 8 watercolor on clayboard) SOLD

I painted this little baby yesterday at the gallery. I like the contrast between the silver and gold, but I wasn’t really happy with it until the shadows went in.
This painting has sold, but prints are still available through my print shop at Fine Art America.com.

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Reeds Between Sets II

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Reeds Between Sets II, Painting of a Saxophone and Clarinet

Reeds Between Sets II (watercolor 8 x 8 ) SOLD

This is a second and slightly larger version of Reeds Between Sets which sold before I could get it posted.  Like most of the rest of my instrument series it will be on display at Art In the Valley beginning November 1st.

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New Orleans Jazz

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New Orleans Reeds, painting by Jenny Armitage

New Orleans Reeds, (12 x 15 watercolor on paper) SOLD

A brighter version of Bouquet of Reeds. Painted a little larger–this time on paper.

Prints available through my FAA shop.

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Because Three French Horns and a Whole Pear Tree Was Too Much

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Horn d"Anjou (14 x 18 watercolor on clayboard) $400

This is another painting resulting from my photo shoot at Weathers Music.   I brought a number of things with me including table cloths, flowers, and fruit.  In the end though I mostly limited my fruit use to grapes and pears.  The pears are my favorite.  I think the shapes of the pears have something to say the bells of the horns, don’t you?  I hope so, because the pears are repeated over and over in the horn.

Mounted on a black wooden cradle frame and finished with clear polymer varnish,  this painting may be hung as is or framed.


Or purchase a print through Fine Art America.com.

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The Glowing Sound of Brass

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The Glow of Brass (16 x 18 watercolor on paper) SOLD

For this painting I used the very same reference photos that I used for Three Horns.   In repainting this image, I’ve made several changes besides the obvious change from canvas to paper.  This time I’ve kept the background quite light and emphasized the shadows and the reflected light from the horns into the the shadows.   I’ve also bumped up the contrast by leaving more white and taking the darks much darker.

This painting has sold, but prints are available through Fine Art America.

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Electric Reeds

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Electric Reeds, a Painting by Jenny Armitage

Electric Reeds (16 x 20 watercolor on clayboard) $400

 

This is another painting competed at the Oregon State Fair.  I began it on the first day of the fair intending it to include a lot of shadow in the design much like Jazz Buddies and The Color of Music.   But the shadows actually competed with the instruments no matter how much I tried to knock them back by greying them down.  On the last night of the fair I got bold and simply did away with the shadows altogether substituting an almost black back ground.  This changed the feeling of the painting entirely.

The result is not subtle, but it certain grabs your attention.  And while it’s not what I was aiming for, I like it.

This painting is currently available through Art in the Valley, Corvallis, Oregon.

Prints are available through my shop at Fineartamerica.com. See more jazzy art here: jazz art.

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Silverton Fine Arts Festival Is This Weekend

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Watercolor Painting of a Tuba, by Jenny Armitage

Little Big Boy (watercolor on clay board 8 x 10) SOLD

Today I set up my booth for the Silverton Fine Arts Festival.  It will be the first showing of my instrument paintings in mass and only the second time any of them has been shown in public.  It’s fun to see them all hanging together. I’m in booth #71 right next to the information booth.

The fair runs Saturday and Sunday.  Admission is free.

The tuba painting pictured is not Big Boy.  It is still big, but this painting is smaller.  Painted from the same photo as “Big Boy.”

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Pear Roadie

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Pear Roadie, Still Life Painting By Jenny Armitage

Pear Roadie (6 x 6 watercolor on clayboard) SOLD

This is another little painting, completed during my Southwestern vacation. I started it  in a little Victorian Hotel in Durango and completed it poolside in Cortez.

Finished with clear acrylic and mounted on a black cradle frame, this painting is ready to hang.

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Some Assembly Required

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Flute Painting by Jenny Armitage

Some Assembly Required (8 x 10 watercolor on aquabord) SOLD

We’ve been traveling in Southwest Colorado and New Mexico the past few weeks.  I have tons of photos for Southwestern paintings.  But while I was gone, I went right on painting instruments.  I did this one at my Father’s just outside of Albuquerque.

Painted on clayboard, finished with clear acrylic, and set on a black cradle frame, this painting is ready to hang.

This painting has sold, but you may purchase a print.

 

 

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Little Purple Sax

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Watercolor Painting of A Saxaphone by Jenny Armitage

Purple Sax (8 x 10 watercolor on clayboard) $100.00

Painted in Florida, from a moody shadow shot.  Once more I’m having fun with the keys.

Like the other Florida paintings, this one is a little smaller, only 8 x 10.  It is painted on aquabord and  finished with a clear coat of acrylic, and mounted on a black cradle frame. Ready to hang. Original available in November at Art in the Valley, Corvallis Oregon. Or purchase a print through my Shop at Fine Art America.

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Silver and Glass Make Music

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Watercolor Painting of a Trumpet and Depression Glass, by Jenny Armitage

Silver and Glass Music (11 x 14 watercolor on claybord) $300

 

I painted this in my usual palette of  cobalt blue, phthalo blue, ceruleun blue, hasna yellow, new gamgee, burnt siena and dioxian purple plus a new addition, phtalo green.  Like phthalo blue, phthalo green is extremely staining and very transparent. Even on clayboard and canvas it’s hard to lift.  Typically, I mix my greens rather than pour them out of the tube, but there’s something metalic about phtalo green that can’t be mixed and it’s the perfect color for depression glass.

When I finish this one, my mother-in-law commented that she admired anyone who could paint glass. I will tell you the secret about painting and drawing glass. There’s nothing any difficult about glass than any other subject. The only trouble is psychological. If you just paint the shapes you see, no matter how abstract, when you step back, it will look like glass. It’s only when you worry about making it look like glass that it doesn’t. The same thing is true of metal.

Painted on aquabord and  finished with a clear coat of acrylic, and mounted on a black cradle frame.


Or purchase a print through my Shop at Fine Art America.

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I’m Still Painting on the Keys

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Watercolor Painting of Wind Instrument Keys, by Jenny Armitage

I'm Still Painting on the Keys (8 x 10 watercolor on clayboard) SOLD

While painting this instrument series, I have been fascinated by the keys. So this time that’s just about all I painted. I like it so well, that I’ll probably do a few more, just keys paintings.

Another painting on clay board, this painting is finished with a clear coat of acrylic, and mounted on a black wooden cradle.

This painting has sold, but you may  purchase a print through my Shop at Fine Art America.

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Duet for a Pear

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Painting of a Pear, Piccolo, and Clarinet by Jenny Armitage

Duet for a Pear (watercolor on clay board 8 x 10) SOLD

 

The is another painting from my photo session at Weathers Music, but I painted it on the patio of a beach house just outside Sarasota on the Gulf of Mexico.  Painting under an umbrella with the ocean just yards away–what could be finer?  We spent the last week there getting our fill of salt and sun.  After the long wet cold spring here in Oregon the sun sure felt fine.  But my is it hot and humid there.  I spent the afternoons painting in the cool.  I have five new paintings to post over the next few days.

This is the first one I did.  I really like the greeny black of the clarinet and piccolo in contrast to the greeny yellow of the pear.  The pear and clarinet bell shapes echo each other nicely too.

Another painting on clay board, the painting is finished with a clear coat of acrylic and mounted on a black wooden cradle.  This painting has sold, but you can still purchase a print through my Shop at Fine Art America.

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Three Horns For Art Squared

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"Three Horns" (watercolor on canvas 16 x 16 inches) $400

"Three Horns" (watercolor on canvas 16 x 16 inches) SOLD

I painted  this one specially for Salem Art Association’s Salon: Art2 exhibit. All of the artwork in the exhibit must be 16 x 16 inches inclusive of frame.  I had to think carefully how to meet the size requirement.  I didn’t want to fit a watercolor on paper into a 16 x 16 inch frame since the artwork would end up being 12 x 12 at most. I didn’t have any 16 x 16 inch aquabord either.  So I stretched watercolor canvas over a 16 x 16 inch frame and gallery wrapped the edges.

It has been quite some time since I tried painting on watercolor canvas.  Paint lifts from watercolor canvas even more easily than it does from clayboard.  The surface feels like a cross between clayboard an yupo (a plastic paper) to work on except that the unlike board or paper the canvas gives a little to the brush.  I like the canvas’ linen texture, but I’m not sure I like the painting experience as much as the board, though that may be just a matter of getting use to the new surface.

This painting has sold, but prints are available through my gallery at Fine Art America.

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Big Boy

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Big Boy, Painting of a Tuba by Jenny Armitage

Big Boy (watercolor on cradled clayboard 11 x 14) $300

Tubas are big.  Yes I know you think you  knew that already, but I don’t think you’ve really grasped my point.  Tubas are big, really big.  Tubas are person sized instruments. They revile the musician in bulk. But saying it just doesn’t do the tuba justice.  So I painted this tuba big.

I don’t know how I would have gone about painting the tuba from this angle working from life.  Taking the reference photo was easy.  I propped the tuba up against two chairs so it wouldn’t fall and lay down on the ground to photograph it looking up.  It’s the classic big general shot.  And unlike many generals, the tuba really is big. Did I mention it’s big?

Painted on cradled aquabord and finished with clear acrylic finish and black sides, this painting is ready to hang.

Available through my Etsy Shop.  Prints available through Fine Art America.com.

{This artwork has been damaged.  Fortunately Ampersand makes a Aquaboard repair kit.  I’ll post the repair results after the kit arrives. 7-26-11}

{Here is the result of the repair.  It was an easy fix using the same clay coating Ampersand uses to make the Aquabord.  After repairing the surface I repainted. 8-14-11)

Repaired Corner

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A Bouquet of Reeds

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Bouquet of Reeds, Painting by Jenny Armitage

Bouquet of Reeds (11 x 14 watercolor on Aquabord) $300

This is my first painting of my brand new rental toy, the saxophone.   Actually, my sax is far from new, but for my purposes, it’s just fine. I’ve paired it with what is turning out to be most painted instrument, the clarinet.  The clarinet itself is hard to compose with because it’s so long and skinny.  It isn’t metal, it’s lacquered wood; so it does have the shine that drew me to painting instruments in the first place.  But it’s black body is the perfect foil for brass.   So here it is as co-star to the sax.

The painting’s name is thanks to my best friend and critique, who also lent me her daughter’s clarinet.  So I owe a double thanks to Terrie for this one.

Painted on cradled aquabord.  May be framed or hung as is.

Original available at Art in the Valley, Corvallis Oregon. Prints available though FineArtAmerica.com.

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Cello Practice III

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Cello Practice III (11 x 13) $100

Cello Practice III (11 x 13) $100

This is my niece playing cello. I took the photo a couple of summers ago at my brother’s house. I just love her long limbs and fingers. Playing the cello shows off those elegant fingers like nothing else. I’ve heard her complain that she hates to see how she was holding her hands on the cello even a few months ago because her positioning is improving. I can’t tell good positioning from bad, but I like the way her hands look. I hope she’ll forgive me for immortalizing her two year old cello technique.

I had intended this painting to be looser, more painterly, and less illustrative than it turned out. That seems to be a painting at the gallery problem. Given an audience I tend to tighten up and draw with the brush. The First Quilt is another tight painting resulting from painting at the gallery. I need to pick my gallery subjects carefully.

But, it’s not a bad little painting. It’s just not what I intended. I do like the way her face and limbs pop out against dark background. I will probably try a much freer version this afternoon.

I used cadmium yellow and quinacridone deep red rose as a foundation for her skin. Other than that I stuck to a three paint palette of burnt sienna, phthalo blue and cobalt blue. I didn’t include a yellow at all. I like the color scheme and will probably keep it in the next version.

I created her appearing and disappearing necklace by first masking it and then removing the mask when the shirt was about half finished. I like the effect.


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