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Dining Canalside

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Dining Canalside, Painting of Amsterdam by Jenny Armitage

Dining Canalside, (17 x 22 watercolor and pastel) Available

This is eating out Amsterdam style.  The painting is mostly watercolor with a few pastel accents.

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Storm Off Trail Ridge: Pastel

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Storm Off Trail Ridge (12 x 15 pastel) $150

Storm Off Trail Ridge (12 x 15 pastel) reserved for La Salles show

My husband and I took a drive over Trial Ridge Road above Rocky Mountain National.  It’s a drive I remember fondly from my childhood.  But that late June day a storm was brewing.  I should have known.  Foul weather is perfectly normal in June, at 10,000 feet and even lower.  I have been snowed on backpacking in July at 7,000 feet.

But Stephen and I drove happily on.   We enjoyed the brisk cool weather and admired the clouds, ignoring their warning.  The later half of the drive was white knuckles all the way.  The coming storm brought so much snow and wind that we couldn’t see enough to turn around.  Road construction in progress but temporarily abandoned for the snow, added to the tension. We stopped with relief at would have been the half way point of the drive, the Visitor’s Center.   The Center has a lovely wall of windows for panoramic views.  But that day they showed white, white and white.   So we drove back down the way we had come, slowly carefully, tensely.  Twenty minutes later we were below the clouds and our experience was already becoming funny.

The I took photos for this painting at the last overlook before we should have turned back.  Shortly after that, all was white.

I used the rough side  Canson Mi-Teins gray paper for this painting. Mi-Tieins paper has a chicken wire looking texture on the rough side which I intended to use for texture in the foreground.  Like detail and warm colors, texture advances.

I began by blocking in the mountains, big and small in hard pastels.   I lowered  back range a little to emphasize  the looming foreground mountain.  In retrospect I could have brought it down even further.

Then I worked down and from left to right.  Once again I worked the sky in PanPastels:  phthalo blue tint, white, ultramarine, and magenta.  I added some blue and purple soft pastels as well. The back range of mountains came next beginning with dark blue shade and lightening it up until  it look far enough back.  The darker background hills came next.

Finally I added the mountain in dark blues and greens.  I used burnt sienna tint to add the lighter areas, but color contrasted oddly with the sky, so I added light violets and greens as well.  When I  got the mountain modeled to my satisfaction I added the trees with a final layer of dark green soft pastels which I applied lightly to allow the texture of the paper to show through.  Lower down some of the gray paper itself shows through.

Prints available at Fine Art

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Pumice Field at Dusk: Another Pastel

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Dusk Falls on the Pumice Field (11 x 18)  $175

Dusk Falls on the Pumice Field (11 x 18) $200

This is my second pastel.  The subject is the pumice field on the west side of Crater Lake National Park, Oregon.  The light was beautiful and I loved the way it lit up the wildflowers in the foreground, which are visually insignificant at mid day.

The support is once again Canson Mi-Teiten paper.  This time I used the rough side.

I began at the top with PanPastels’ ultramarine blue, ultramarine blue tint, burnt sienna tint and white.  The rosy hills are mostly PanPastel too.   I used magenta, violet tint, burnt sienna, burnt sienna pint, and finally a stick of purple pink soft pastel.

The tree lines are soft pastels in various combinations of an ultramarine shade, a phthalo blue, a iron oxide stick and a dark green.  The grass and pumice fields are various combinations of burnt umber, red oxide, burnt sienna in PanPastel and soft pastel sticks.  I added the gold light last soft pastel.

I added the shadowy path leading out  the foreground with purples and blue soft pastel smudged over the pumice field.

I began the red flowers by using a soft  purple pastel stick  to make dark bases for them.  I smudged the bases in and them added PanPastel red plus a little PanPastel yellow and smudged again.  I accented  them with hard yellow pastel.

For the blue flowers I made a darker purple base and drew thin marks over it in light turqouse blue which I half smudged.  Then I added blue squiggles again and again half smudged.

Shipped matted and covered with a protective sheet of paper.<form target=”paypal” action=”” method=”post”>
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Prints available from Fine Art

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