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Music Day and Night or the Bear Facts

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Midnight Duet, watercolor painting of a Sax and Clarinet by Jenny Armitage

Midnight Duet (watercolor 7 x 10) Available

These two little instrument paintings were done at very different times in very different moods.  I began “Midnight Duet” yesterday afternoon and worked late into the evening to do it.  Given the painting’s dramatic night time lighting that seems appropriate. 

“Noon Trio,” I began on vacation in the early morning.  I think of it as the bear painting though there are no bears in it.

Noon Trio, painting of a Jazzy Trio, by Jenny Armitage

Noon Trio (watercolor 7 x 10) $75


I painted it at my brother’s woodland house above Albuquerque, which he had kindly lent us for a couple of nights.  I was working at the dining room table engrossed in the trumpet when a bump against the window caught my attention.  That was as close as I’ve ever seen a live bear.  He as only about six feet away peering curiously in.  I wasn’t terrified, but I felt very, very alive and my brain when into hyper-drive. The windows on the bear’s side of the dining room were closed, but just on the other corner they wide open.  So I stood up to close them, and the bear turned and lumbered away looking back over his shoulder just before disappearing into the forest.  I closed the rest of the downstairs windows just for good measure.

I told my father and niece at breakfast at a local cafe and got a raft of  neighborhood bear stories.  The most amusing centered around a bear reaching in through a kitchen window to sample a birthday cake.  But mostly the bears just want garbage and quickly learn which neighborhoods put out their garbage when.  I think mine was mostly curious.  “Look at the funny people.”

Prints of both paintings are available here.

 

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Licorice Pieces

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"Licorice Pieces" Painting of a Clarinet in Watercolor by Jenny Armitage

Licorice Pieces (11 x 16 watercolor) Available

Another clarinet portrait.  Orange suits it don’t you think?
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Clarinet Candy

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Clarinet Candy, An Instrument Painting by Jenny Armitage

Candy Clarinet (14 x 20 watercolor) $450

A portrait of a friend’s clarinet.   She can make it sound like candy too.

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Laurel and Hardy

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Laurel and Hardy, painting of a Euphonium and Clarinet, by Jenny Armitage

Laurel and Hardy (18 x 19 watercolor on paper) Available

I have a confession to make– I accost musicians who like my work with pleas to let me photograph their instruments.   I’m not proud.  I prey upon the amateur and professional alike.  At art fairs where there is music, I bring a white blanket just so I will have a soft protective surface to lay instruments on and against.   Nothing beats sunshine for photographing brass and silver.

This painting comes from a series of photos I took at the Oregon State Fair’s Artisan Village.   It’s the result of just plain begging a fellow vender to bring in her trombone, euphonium, and trumpets in for me to photograph.  The clarinet I asked a girl friend’s daughter to lend me to use as a foil when photographing brass and sliver. I think they make a lovely pair.

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37th Annual Western Federation of Watercolor Societies Exhibition

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New Orleans Reeds, painting by Jenny Armitage

New Orleans Reeds, (12 x 15 watercolor on paper) SOLD

Each year The Western Federation of  Watercolor Societies hosts a  juried show open to its member associations. The Western Federation of Watercolor Societies’ members association include:  the Arizona Watercolor Association, The Colorado Watercolor Society, The Idaho Watercolor Society, The New Mexico Watercolor Society, The Nevada Watercolor Society, The Southern Arizona Watercolor Guild, the San Diego Watercolor Society, The Southwestern Watercolor Society, The Utah Watercolor Society, The Watercolor Society of Oregon, and the West Texas Watercolor Society.

I am pleased to announce that New Orleans Reeds has been chosen as one of the 100 paintings to be exhibited in the 37th Annual Western Federation of Watercolor Societies Exhibition.  The exhibit will take place at the Marjorie Barrick Museum on The University of Nevada Las Vegas campus, from April 13th to May 19th, 2012.  This year the show was juried by Gerald Brommer, who will pick the award winners in April.

This painting has sold, but you may still purchase a giclee print from my print-on-demand-outlet.

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Taking a Shine to Each Other

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Taking a Shile to Each Other, painting by Jenny Armitage

Taking a Shine to Each Other (13 x 19 watercolor on paper) SOLD

And here’s the completed painting.

This painting has sold, but

giclee prints are available.

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Reeds Between Sets II

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Reeds Between Sets II, Painting of a Saxophone and Clarinet

Reeds Between Sets II (watercolor 8 x 8 ) SOLD

This is a second and slightly larger version of Reeds Between Sets which sold before I could get it posted.  Like most of the rest of my instrument series it will be on display at Art In the Valley beginning November 1st.

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New Orleans Jazz

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New Orleans Reeds, painting by Jenny Armitage

New Orleans Reeds, (12 x 15 watercolor on paper) SOLD

A brighter version of Bouquet of Reeds. Painted a little larger–this time on paper.

Prints available through my FAA shop.

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Electric Reeds

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Electric Reeds, a Painting by Jenny Armitage

Electric Reeds (16 x 20 watercolor on clayboard) Available

 

This is another painting competed at the Oregon State Fair.  I began it on the first day of the fair intending it to include a lot of shadow in the design much like Jazz Buddies and The Color of Music.   But the shadows actually competed with the instruments no matter how much I tried to knock them back by greying them down.  On the last night of the fair I got bold and simply did away with the shadows altogether substituting an almost black back ground.  This changed the feeling of the painting entirely.

The result is not subtle, but it certain grabs your attention.  And while it’s not what I was aiming for, I like it.

 

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Pear Roadie

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Pear Roadie, Still Life Painting By Jenny Armitage

Pear Roadie (6 x 6 watercolor on clayboard) SOLD

This is another little painting, completed during my Southwestern vacation. I started it  in a little Victorian Hotel in Durango and completed it poolside in Cortez.

Finished with clear acrylic and mounted on a black cradle frame, this painting is ready to hang.

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The Color of Music

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The Color of Music, Painting by Jenny Armitage

The Color of Music (16 x 20 watercolor on paper) SOLD

This is a larger and more colorful version of “Brass, Winds, and Shadows.”  I liked the first version, but I like this one better.   Besides enlarging the painting and bumping up the color, I expanded the field of view to include more of the flute.  I also made the shadows more transparent.  I think all of the changes are improvements.

Prints available through my shop at Fine Art America.

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Little Purple Sax

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Watercolor Painting of A Saxaphone by Jenny Armitage

Purple Sax (8 x 10 watercolor on clayboard) Available

Painted in Florida, from a moody shadow shot.  Once more I’m having fun with the keys.

 

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I’m Still Painting on the Keys

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Watercolor Painting of Wind Instrument Keys, by Jenny Armitage

I'm Still Painting on the Keys (8 x 10 watercolor on clayboard) SOLD

While painting this instrument series, I have been fascinated by the keys. So this time that’s just about all I painted. I like it so well, that I’ll probably do a few more, just keys paintings.

Another painting on clay board, this painting is finished with a clear coat of acrylic, and mounted on a black wooden cradle.

This painting has sold, but you may  purchase a print through my Shop at Fine Art America.

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Duet for a Pear

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Painting of a Pear, Piccolo, and Clarinet by Jenny Armitage

Duet for a Pear (watercolor on clay board 8 x 10) SOLD

 

The is another painting from my photo session at Weathers Music, but I painted it on the patio of a beach house just outside Sarasota on the Gulf of Mexico.  Painting under an umbrella with the ocean just yards away–what could be finer?  We spent the last week there getting our fill of salt and sun.  After the long wet cold spring here in Oregon the sun sure felt fine.  But my is it hot and humid there.  I spent the afternoons painting in the cool.  I have five new paintings to post over the next few days.

This is the first one I did.  I really like the greeny black of the clarinet and piccolo in contrast to the greeny yellow of the pear.  The pear and clarinet bell shapes echo each other nicely too.

Another painting on clay board, the painting is finished with a clear coat of acrylic and mounted on a black wooden cradle.  This painting has sold, but you can still purchase a print through my Shop at Fine Art America.

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A Bouquet of Reeds

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Bouquet of Reeds, Painting by Jenny Armitage

Bouquet of Reeds (11 x 14 watercolor on Aquabord) Available

This is my first painting of my brand new rental toy, the saxophone.   Actually, my sax is far from new, but for my purposes, it’s just fine. I’ve paired it with what is turning out to be most painted instrument, the clarinet.  The clarinet itself is hard to compose with because it’s so long and skinny.  It isn’t metal, it’s lacquered wood; so it does have the shine that drew me to painting instruments in the first place.  But it’s black body is the perfect foil for brass.   So here it is as co-star to the sax.

The painting’s name is thanks to my best friend and critique, who also lent me her daughter’s clarinet.  So I owe a double thanks to Terrie for this one.

Painted on cradled aquabord.  May be framed or hung as is.

 

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Reeds at Sunset

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Reeds at Sunset (11 x 15) $75.00

Reeds at Sunset (11 x 15) $75.00

This is the Willamette again, but it could really be anywhere.  I was struck by the way the reeds look like they are growing out of a sunset.

Like the Broken Dock I painted a couple days ago, I began this painting by masking everything except the water.  After the mask on the reeds dried, I painting the sky’s refection on the still water wet into wet beginning with an overall wash of very diluted burnt sienna.   When the shine left the paper, I added various mixes of quinacridone deep red rose and new gamgee (yellow).  I used cobalt blue and burnt sienna to ad the darker clouds and phthalo blue for the water.

Once the  sky had dried, I removed the mask and painted the reeds in new gamgee, colalt blue, phthalo blue and burnt sienna.


Or purchase a print from Fine Art America.com.

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