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High Noon at the Gravel Spit II

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High Noon the the Gravel Spit II

High Noon the the Gravel Spit II (9 x 12) SOLD

This is the same basic painting as yesterday writ larger. The method and pigments are the same, except that I didn’t do any direct painting on this one. I didn’t think any further definition of the boys was necessary.

I like it, but I think this one looks more like an ordinary crowd. I think the smaller numbers in the first painting focused the eye on the interactions between the young men. That part of the drama gets lost in a crowd.

This painting has sold, but you may still purchase a print at Fine Art America.com.

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High Noon at the Gravel Spit I

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High Noon at the Gravel Spit (8 x 10) $100

High Noon at the Gravel Spit (8 x 10) SOLD

Under the West Salem bridge there is a little sand bar, really a gravel bar. At any given time on the weekend there are likely to be three or four families there and at least one father teaching his son to skip stones. It is an ideal place for skipping stones into the river. It’s a good place for wadding toddlers too.

But looking down from the bridge a couple weeks ago I saw a very different scene. Five or six young men roamed the sandbar, jostling against one another and skipping stones from first one side than the other. There was no real violence, but the boys radiated suppressed anger and extreme restlessness.

Reference IIThis painting is a composite of figures from several of the photos I took of the restless young men. I arranged them to keep the feeling of tension I felt looking down at them from the bridge.

Reference I

The painting is almost entirely poured. The first pour was hansa yellow light, quinacridone deep red rose, and phthalo blue. In the next pour I substituted new gamboge for the hansa yellow and added quincaridone magenta. The third pour I used just the two reds and phthalo blue. For the fourth pour I used quincaridone magenta, dioxzine purple, and phthalo blue.

After the fourth pour I washed the boy’s jeans with phthalo blue and added dioxzine purple and phthalo blue wet into wet into the shadows on their shirts. The little dots are dioxzine purple splattered off the brush.

I think I captured the tension and the pours produced beautiful colors. I’m going to paint a larger more complex version of this painting tomorrow. I like the colors and will probably use them again.

This painting has sold, but I have run a limited edition of fifty giclee prints on archival rag paper.  Signed and numbered prints are $50.00 each.


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