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City Portal: More of Chicago

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City Portal, Painting of Chicago, By Jenny Armitage

City Portal (12 x 22 watercolor) $500

The Art Institute of Chicago again, this time from the inside.  While my daughter gift shopped, I took a whole series of photographs of the two doors to Michigan Ave.  The great doors with their iconic lamps and the people silhouetted in front fascinated me.


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Divide and Conquer or the Power of the Scissors

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Italian Heat is not my first attempt at that painting.  It is the second.  I made several mistakes with the first painting, most of them having to to with composition.  I left too many people from my reference photos in the image, and that took away from the real subject, the biking couple at the end of the street.  Having reached the conclusion that the painting was a failure, I played around with photos the spoiled painting before sketching out the second version which ended up in the blog entry below.

That left me with a poor complicated painting with great color but no real focus.  So I set the failed painting aside for a while.  Then a few weeks later, I got out the mat corners (“L” shaped pieces of mat board used for visual cropping) and singled out the two bicyclists.  The result is Florence Bikers.

Florence Bikers, a Watercolor by Jenny Armitage

Florence Bikers (9 x 16 watercolor) SOLD

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Having rescued one painting I looked at the remainder and found Three Italians.

Three Italians, Painting by Jenny Armitage

Three Italians, (9 x 21 watercolor) $125


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Bike Tour

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Bike Tour, Original Painting by Jenny Armitage

Bike Tour (watercolor 18 x 12) $200

Rather more abstract than I usually go, but I like it.  This is a Florence bicycle tour group as seen from the Palazzo Vecchio, Florence, Italy.


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Dawn at the Station

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Dawn at the Station, fine art painting by Jenny Armitage

Dawn at the Station (watercolor 16 x 23) $700

Milan Central Station in the wee hours of the morning.


 

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Between Amusements

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At the Fair, Watercolor Painting by Jenny Armitage

Between Amusements (17 x 21 watercolor) $700

For the last four years I’ve been taking pictures of the Oregon State Fair confident that with all those people and colors there must be a good painting in there somewhere.   Four years of pictures with images taken from four different photos and I finally have one.


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The Wheel in Color

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The Wheel in Color, Bicycle Painting by Jenny Armitage

The Wheel in Color (13 x 18 watercolor) $400


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Heart of the Bike

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Heart of the Bike, Fine Art Painting by Jenny Armitage

Heart of the Bike (10.5 x 14 watercolor) $400

This is a hot summer painting for a cold winter day here in Oregon.  It’s been snowing steadily for the last 40 hours or so.  Everything is white and cold.  But this painting warms me right up.


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Clarinet Candy

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Clarinet Candy, An Instrument Painting by Jenny Armitage

Candy Clarinet (14 x 20 watercolor) $450

A portrait of a friend’s clarinet.   She can make it sound like candy too.


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Gothic Specter

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Gothic Specter, Painting of Christchurch, by Jenny Armitage

Gothic Specter (11 x 15 watercolor) $200

The Gothic archways surrounding the quads in churches and colleges have always intrigued me.  This one happens to be at Christchurch, in Oxford, but it could be one of hundreds in Britain.  The ribbed ceilings and the slanting light from the quad are always both beautiful and romantic.

In this painting I exaggerated the contrast poured the colors.


 

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Florence Arcade

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Florence Arcade, watercolor painting of Italy by Jenny Armitage

Florence Arcade (watercolor 11 x 18) $400

Florence in heat again. This time it’s the beautiful arcade running along the Arno between the Uffzi and the Ponte Vecchio.


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May 6, 2012 7:43 am

Bottles and Stoppers

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Bottles and Stoppers, Painting of Bottles by Jenny Armitage

"Bottles and Stoppers" (8 x 10 watercolor on claybord) $100

Painting can be magic.  You get to see new and hidden things.  When painting these bottles, I exaggerated the contrast between the various soft gradations of color within the bottles.   None of them looked like anything in particular,  just abstract shapes to paint.   But having painted the shapes I discovered that one of the things I was exaggerating was the magenta bottle’s reflection in the purple bottle.

It’s fun.  But it’s not unusual.  When painting reflections in metal or glass, I often discover that I have painted more than I can see, and yet the painting is right.  I’ve clarified by exaggeration.


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